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Atomos Shogun Flame
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Atomos Shogun Flame – 4K HDMI/12G-SDI Prores Monitor-Recorder (Travel case)

Cena: 32.490 Kč (45.860 Kč 26.851 Kč bez DPH)

  • 1920 x1200 Touchscreen Display
  • 10-Bit Panel & 1500 cd/m² Brightness
  • HDR Mode with 10.5 Stop Dynamic Range
  • High Bright Mode for Rec. 709 Viewing
  • Records up to DCI and UHD 4K
  • 10-Bit 4:2:2 ProRes & DNxHR Encoding
  • 4K HDMI and 12G-SDI Inputs/Outputs
  • Records to SSD Media
  • XLR Audio I/O via Breakout Cable
  • Dual Battery Slots

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  • Description
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SHOOT WHAT YOU SEE.
Filmmakers constantly face exposure challenges on set, choosing between detail in the highlights and in shadows. Shooting Log from the camera is a partial solution, recording a broader brightness range but still you need to compromise on the monitor’s image quality. The solution is the Shogun Flame, a 7″ 10-bit AtomHDR 1500nit Field Monitor with 4K/HD 10-bit ProRes/DNxHR recording, Sony & Canon Raw to ProRes/DNxHR recording, professional HDMI, SDI and XLR connections along with LTC/Genlock & bidirectional SDI/HDMI conversion needed on set and in broadcast. With AtomHDR, you get the brightness and dynamic range of HDR Log with natural, vibrant colors to let you simply shoot the way you see.

GET AHEAD OF THE LOG CURVE
Cameras with Log output (S-Log2, S-Log3, C-Log, V-Log etc) already have the 10+ stops of dynamic range needed for High Dynamic Range (HDR). Be at the forefront of the HDR revolution sweeping the industry by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.

SCENES IGNITE WITH 1500NITS OF LIGHT
Not all scenes call for HDR Log recording. In situations that don’t call for 10 stops of dynamic range, use the intensity of the 1500nit panel to monitor traditional Rec709 video at high brightness for outdoor monitoring.

Simply pick the right mode, HDR or High Bright, and get busy setting up your shot on the premium 7″ display boasting 10-bit processing, 1920×1200 resolution, 325ppi pixel density, optional calibration to overcome natural LCD color drift and an arsenal of precision video setup tools for perfect shots every time.

WIDEST CAMERA COMPATIBILITY
The HDMI connection is compatible up to 4Kp30 and the SDI connection has compatibity up to 12G ensuring you are future proofed as the SMPTE standard updates. The built-in bi-directional conversion allows HDMI cameras to be integrated into a SDI workflow or connect SDI cameras with HDMI flat panels.

UNLOCK THE RAW FROM SONY & CANON
Output the 4K/HD Raw from select cameras (Sony FS7/FS700 & Canon C300MKII/C500) over SDI and record direct to 10-bit 4:2:2 ProRes or DNxHR. Capturing Raw using the Shogun Flame is a free feature with no additional licensing costs and lets you immediately take advantage of our affordable media platform bypassing the need for proprietary cards and media.

RECORD PROFESSIONAL 4K & HD
Recording 4K and high frame rate HD within the camera might seem enough but unless you record with the right codec you’re restricting flexibility in post and even run the risk of having your footage technically rejected. Along with the high pixel density of 4K, the Shogun Flame records higher resolution 10-bit color information, more precise yet efficient 4:2:2 color encoding and to visually lossless, edit-ready codecs like Apple ProRes or AVID DNxHR. Now you’re recording professionally, capturing full individual frames just like film and opening up more creativity in post and grading.

SIMPLE OS, SOPHISTICATED SHOTS

The Flame Series is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Safe Area, luma/RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LUTs or upload .cube files) and options for de-squeezing anamorphic content.

CONTINUOUS POWER IS BACK… WITH SUPER FAST CHARGING.
Our patented continuous power system pioneered on our HD products are back on the 4K range. The hot swappable dual battery system that automatically swaps to the second battery when power is low, coupled with the blazingly fast battery charger and dual 4-cell batteries (both included with the product) means that continuous power in the field is all but assured.

ADVANCED DSLR AUDIO MONITORING
Record audio as well as video externally on the Ninja Flame. Monitor up to 8ch of HDMI audio or 2ch analog line in on the dedicated audio meters, all locked frame accurate with adjustment for frame delay, gain adjustment and Mic level adjustment when using external microphones (3.5mm unbalanced input).

ADVANCED RECORDING CAPABILITY
Outside of 10-bit 4:2:2 ProRes/DNx, the Ninja Flame adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI from select Canon, Sony, Panasonic, Nikon cameras. Convert interlace video from your camera to progressive on the fly with built-in 3:2 and 2:2 pulldown and gain advanced functionality like Pre-roll (continuous cache recording to never miss the action) and Time lapse to maximise your creativity.

BATTLE-READY!
FOR THE FIELD
Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, XLR breakout cable, Lanc cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you’re ready to hit the field immediately.

 

Weight
Without batteries & media 650g / 22.9oz
With batteries & media 1094g / 38.6oz
Dimensions (W x H x D mm) 214 x 127 x 45mm, 8.4 x 5 x 1.8”
Construction High quality lightweight ABS Polycarbonate for durability & portability
Built-in armor protection
Power
Operating power 10 – 24W
Compatible batteries NP series and supporting accessories
Input voltage (battery) 6.2V to 16.8V
Battery time (based on 7.4V) -
5200mAh – up to 1.5hrs (monitor & record 4K)
7800mAh – up to 2.2hrs (monitor & record 4K)
DC In 1 x DC in (6.2 – 16.8V)
Continuous power
* Patent pending
Primary-secondary battery system Change batteries without losing power Loop batteries continuously
Touchscreen
Size 7.1”
Resolution 1920 x 1200
PPI 325
AtomHDR Yes
Bit depth 10-bit (8+2 FRC)
Brightness 1500nit (+/- 10%)
Aspect ratio 16:9 native
Color Gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube le format)
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional Atomos Spyder
Video input/loop out
HDMI 1 x HDMI (1.4b)
SDI 1 x 4K-SDI 6G or HD-SDI 3G/1.5G (SMPTE)
Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent)
Video output (play out)
HDMI 1 x HDMI (1.4b)
SDI 1 x 4K-SDI 6G or HD-SDI 3G/1.5G (SMPTE)
Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
Supported loop out formats
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120*, 2160p 24/25/30
SDI to SDI -
720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/120*, 2160p 24/25/30
HDMI to SDI 720p 50/60, 1080i 50/60 1080p 24/25/30/50/60/120, 2160p 24/25/30
SDI to HDMI 720p 50/60, 1080i 50/60 1080p 24/25/30/50/60/120, 2160p 24/25/30
Supported formats (Record & Playback)
4K 2160p 24/25/30
HD – high frame rate** 1080p120*, 1080p60/50
HD** 1080i60, 1080i50, 1080p30, 1080p25, 1080p24, 1080pSF24, 1080pSF25, 1080pSF30, 720p60, 720p50
4K UHD downscale for HD monitoring Yes – loop-out & playback
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Realtime hardware encoding
4K – DCI RAW 4096×2160 to
Supported cameras;
Sony FS700, FS7
Canon C300MKII, C500
Apple ProRes
HQ, 422, LT
DNxHR
HQX, HQ, SQ, LB
4K-UHD 3840×2160 8/10-bit 4:2:2 to Apple ProRes
HQ, 422, LT
DNxHR
HQX, HQ, SQ, LB
1920×1080 8/10-bit 4:2:2 to Apple ProRes
HQ, 422, LT
DNxHD
220x, 220, 145, 36
Onboard processing
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)
Audio in/out (48kHz PCM audio)
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Audio 2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Remote start/stop
HDMI Auto HDMI Trigger
Supported Protocols – Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
Other LANC control – Slave
Playback
Playlist Yes
Genlock / LTC Yes / Yes
Playback
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes
Meta data tagging Yes (10 tags available)
Supported media
(Approved List Only)
4K / HD (50/60/120p*)
SSD 2.5”, HDD (7,200 up to 1080p60)HD
SSD 2.5”, HDD (5,400 up to 1080p30)
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support FCPX XML native, FCP7 supported with conversion (Adobe compatible)
Optional extras Atomos HDMI cable, Spyder calibration

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