Atomos Ninja Inferno
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Atomos Ninja Inferno – 4K 60p HDMI Prores Monitor-Recorder (Travel case)

Cena: 32.490 Kč (26.851 Kč bez DPH)

  • 1920 x 1200 IPS LCD Touchscreen, 7-inch, 325ppi
  • 10-Bit FRC Monitor Processing
  • 4K/60 ProRes or DNxHD over HDMI 2.0
  • 1500 nits brightness max
  • HDR Mode (thanks to AtomHDR engine)
  • High Bright Mode for Rec. 709 Viewing
  • 1080p up to 120 fps
  • 10-Bit 4:2:2 ProRes & DNxHR Encoding
  • Records to 2.5″ SSD/HDD Media
  • Dual Sony L-Series Battery Slots
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LATEST CONNECTIVITY IN A RUGGED DESIGN
Power, Video & Audio that won’t let you down
The rugged case with built-in armor houses an arsenal of professional connectivity including full size HDMI 2.0 for signals up to 4K 60p, a HDMI output for playback or play-out to a view finder or other monitors, a hot swappable dual battery system for continuous power backed up with DC mains connectivity, auto HDMI start/stop recording trigger from selected Canon, Sony, Panasonic and Nikon cameras and even conversion of interlace video from your camera to progressive with built-in 3:2 and 2:2 pulldown.

RECORD THE BEST IMAGE POSSIBLE TODAY, ASSASINATE MPEG
4K60p 10-bit Pro-Res & DNxHR
Recording 4K 60p within the camera might seem enough but recording with the wrong codec restricts flexibility in post and even risks having your footage technically rejected. Ninja Inferno records direct from the sensor as full individual frames just like film to 4K 60p Apple Pro-Res or Avid DNxHR with 10-bit color information and precise yet efficient 4:2:2 color encoding.

XLR FOR YOUR DSLR
Professional Audio Monitor & Recorder
Monitor and record up to 8ch of embedded HDMI 2.0 24bit digital audio. Don’t be restricted by the limited audio on most HDMI cameras, truly upgrade to professional levels. We’ve added an optional 48V stereo XLR breakout cable so you can connect and power external microphones for balanced analogue audio. Audio control is simple with dedicated meters and menus to select channels for recording/monitoring and adjustments for frame delay and gain.

THE ULTIMATE MONITOR. RECORDING FOR FREE.
10bit color, 10+ stops dynamic range, 1920 x 1200 resolution
We have created the ultimate monitor through end-to-end custom engineering of all components. It starts with a 1920×1200 resolution LCD panel, we add 10-bit processing in highlights and equivalent 12-bit in blacks. This is achieved through the AtomHDR engine honed from Log algorithms of every camera maker to give the ultimate brightness and color representation. Finally the custom Atomos-built backlight with the highest quality precision LEDs means the 1500nits can be utilized for High Bright Rec709 or HDR at 10+ stops.

HDR MADE SIMPLE, INCLUDED FOR FREE
Vibrant, Natural images for maximum creativity
As a creative professional you must always be ahead of the curve – today that means HDR at 4Kp60. Ninja Inferno delivers the simplest, most cost effective and technically superior HDR workflow. Go HDR today by setting your camera to Log, enabling the powerful AtomHDR engine to expose vibrant natural HDR video & then grade and edit with confidence on any Mac or PC using the Ninja Inferno as your portable grading monitor.

HIGH BRIGHT FOR REC709 OUTDOOR SHOOTING
1500nit bright, daylight viewable monitor
The 7″ 1920 x 1200 monitor not only has the resolution and pixel density to make every shot look amazing, the high bright 1500nit screen at almost 4 times the brightness of conventional field monitors lets you shoot outdoors without reflections washing out your image. This makes it a great choice for gimbals, Steadicam and director’s monitors, delivering a crisp 4K image without the bulk and viewing angle restrictions of a sun hood.

TRUST WHAT YOU SEE
Calibrate for accurate color, Scopes for accurate exposure and focus
All monitors drift in color over time, which is why all high end monitors have calibration. We’ve partnered with calibration leader X-Rite to allow their i1DisplayPro to calibrate the Ninja Inferno.

With peace of mind on the color front, simply tap the screen to bring up focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, Vectorscope, Anamorphic desqueeze and a flexible 3D LUT implementation to upload your own LUTs as .cube files.

PLAYBACK REVIEW WITH CLIENTS & CREW
Onboard playback and play-out to larger HDR or Rec709 monitors
By combining a recorder and monitor, directors and clients can review shots away from the camera complete with playback control, XML tagging for favorite collation, play list generation and even play out to larger SDR or new & readily available HDR TV’s in PQ or HLG. We do all the engineering for you in AtomOS, converting Log to PQ or HLG seamlessly completing your camera to TV pipeline

CHOOSE THE SSD TO SUIT YOUR WORKFLOW
Media solutions that are affordable, time saving and convenient
The Master Caddy system is our secret weapon for recording media flexibility. High capacity and widely available 2.5″ SSD’s provide an affordable solution for long recording times, G-Technology have a custom Atomos caddy that integrates directly into their EV series of Raid and desktop solutions and the Angelbird 4KRAW series integrates heat sinks and a release grip into a custom Atomos caddy for high frame rate and CDNG recording.

Weight
Without batteries & media 630g / 22.2oz
With batteries & media 1074g / 37.9oz
Dimensions (W x H x D mm) 214 x 127 x 45mm, 8.4 x 5 x 1.8”
Construction High quality lightweight ABS Polycarbonate for durability & portability
Built-in armor protection
Power
Operating power 10 – 33W
Compatible batteries NP-F series and supporting accessories
Input voltage (battery) 6.2V to 16.8V
Battery time (based on 7.4V) -
5200mAh – up to 1.5hrs (monitor & record 4K 30p)
7800mAh – up to 2.2hrs (monitor & record 4K 30p)
DC In 1 x DC in (6.2 – 16.8V)
Continuous power
* Patent pending
Primary-secondary battery system.
Change batteries without losing power
Loop batteries continuously
Touchscreen
Size 7.1”
Resolution 1920 x 1200
PPI 325
Aspect ratio 16:9 native
Color Gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Technology SuperAtom IPS panel (capacitive touch),
calibration to Rec.709 with optional calibration unit
HDR
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC)
Brightness 1500nit (+/- 10%)
HDR input (PQ/HLG)
HDR output (PQ/HLG)
Yes / Yes
Yes / Yes
Video Input/Loop Out
HDMI 1 x HDMI (2.0)
SDI -
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)
HDMI 1 x HDMI (2.0)
SDI -
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Loop Out Formats
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60
Supported Codecs & Frame Rates (Record & Playback)
Video to ProRes / DNxHR
(DNx utilizes a .MOV wrapper)**
Brand / Model / CodecRefer camera compatibility list; atomos.com/cameras
ProRes (HQ, 422, LT) DNxHR (HQX,HQ,SQ,LB)
Resolution / Framerate4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; N/A***
1080p; 24/25/30/50/60/100^/120^ 1080i; 50/60i
720p; 50/60p
Onboard Processing
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscaling Yes – Loop-out and playback
Audio In/Out (48kHz PCM Audio)
HDMI 2 or 8ch 24-bit, camera dependent
Audio 2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Remote Start/Stop
HDMI Auto HDMI Trigger
Supported Protocols – Canon, Sony, Atomos Open Standard
Other LANC control – Slave
Playback
Playlist Yes
CDNG (Recorded content) N/A
ProRes (Recorded content) All recorded les can playback. Playback in slow motion >= 100fps
DNxHR / DNxHD (recorded content) All recorded les can playback. Playback in slow motion >= 100fps
Recording
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes
Meta data tagging Yes (10 tags available)
Supported media
(Approved List at Atomos.com/drives)
Select SSD: Video (4K 30p, 1080 60p)
Select SSD or HDD: Video (1080 30p, 720 60p)
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
Accessories included Ninja Inferno unit, 12V-3A AC adapter, 1 x Master Caddy II, Travel case

All specifications correct when published, subject to E&OE.

24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution

*** No HDMI spec for 2K DCI

^ From supported HDMI sources such as gaming consoles and graphics cards.

  • Atomos Ninja Inferno Product Brochure

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