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Atomos Ninja Flame – 4K HDMI Prores Monitor-Recorder (Travel case)

Cena: 25.990 Kč (35.116 Kč 21.479 Kč bez DPH)

  • 1920 x1200 Touchscreen Display
  • 10-Bit Panel & 1500 cd/m² Brightness
  • HDR Mode with 10.5 Stop Dynamic Range
  • High Bright Mode for Rec. 709 Viewing
  • Records up to DCI and UHD 4K
  • 10-Bit 4:2:2 ProRes & DNxHR Encoding
  • 4K HDMI Input/Output
  • Records to SSD Media
  • 3.5mm Microphone Input
  • Dual Battery Slots
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INTENSE DETAIL
SCORCHING BRIGHTNESS
Current monitors force filmmaking compromises due to a lack of brightness & brightness range (dynamic range). Expose for highlights and lose shadow detail or shoot in Log with a flat, washed out image. Enter the Ninja Flame, a 7″ AtomHDR 1500nit Field Monitor with 4K/HD 10-bit ProRes/DNx Recording over HDMI. With the AtomHDR engine, it has the brightness and dynamic range to show all the detail of HDR Log, at all brightness ranges, with natural, vibrant colors.

BURN AWAY THE FOG OF LOG
Camera Log (S-Log2, S-Log3, C-Log, V-Log etc) delivers maximum sensor detail in your recordings, but on monitors it looks washed out & makes judging exposure difficult. The compromise for filmmakers is to use LUT’s to get the approximate “look” but sacrifice detail or use calibration cards, waveform & some “rule of thumb” figures to set exposure correct. AtomHDR is the solution, accurately displaying HDR Log footage with the brightness to see Log as the eye sees it.

SCENES IGNITE WITH 1500NITS OF LIGHT
Not all scenes call for HDR Log recording. In situations that don’t call for 10 stops of dynamic range, use the intensity of the 1500nit panel to monitor traditional Rec709 video at high brightness for outdoor monitoring.

Simply pick the right mode, HDR or High Bright, and get busy setting up your shot on the premium 7″ display boasting 10-bit processing, 1920×1200 resolution, 325ppi pixel density, optional calibration to overcome natural LCD color drift and an arsenal of precision video setup tools for perfect shots every time.

GET MORE FROM YOUR DSLR
The perfect partner for DSLR and Mirrorless cameras with Log output over HDMI. From gimbal operators to Corporate to Indy filmmakers, your recordings are instantly upgraded to the defacto standard for Hollywood, Indie & Broadcasters (ProRes and DNxHR), ensuring you’re not technically rejected in Post and letting you see the detail of your camera’s Log on set with natural colors on the calibrated 7″ AtomHDR High Bright monitor.

AFFORDABLE, RELIABLE MEDIA
The combination of high capacity media with recording direct from the sensor means that the conventional 30min barrier imposed by many cameras can be bypassed.

RECORD PROFESSIONAL 4K & HD
Recording 4K and high frame rate HD within the camera might seem enough but unless you record with the right codec you’re restricting flexibility in post and even run the risk of having your footage technically rejected. Along with the high pixel density of 4K, the Ninja Flame records higher resolution 10-bit color information, more precise yet efficient 4:2:2 color encoding and to visually lossless, edit-ready codecs like Apple ProRes or AVID DNxHR.

Now you’re recording professionally, capturing full individual frames just like film and opening up more creativity in post and grading. Additionally, bypassing internal recording also bypasses the 30min recording barrier found on many DSLR cameras.

SIMPLE OS, SOPHISTICATED SHOTS

The Flame Series is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Safe Area, luma/RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LUTs or upload .cube files) and options for de-squeezing anamorphic content.

CONTINUOUS POWER IS BACK… WITH SUPER FAST CHARGING.
Our patented continuous power system pioneered on our HD products are back on the 4K range. The hot swappable dual battery system that automatically swaps to the second battery when power is low, coupled with the blazingly fast battery charger and dual 4-cell batteries (both included with the product) means that continuous power in the field is all but assured.

ADVANCED DSLR AUDIO MONITORING
Record audio as well as video externally on the Ninja Flame. Monitor up to 8ch of HDMI audio or 2ch analog line in on the dedicated audio meters, all locked frame accurate with adjustment for frame delay, gain adjustment and Mic level adjustment when using external microphones (3.5mm unbalanced input).

ADVANCED RECORDING CAPABILITY
Outside of 10-bit 4:2:2 ProRes/DNx, the Ninja Flame adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI from select Canon, Sony, Panasonic, Nikon cameras. Convert interlace video from your camera to progressive on the fly with built-in 3:2 and 2:2 pulldown and gain advanced functionality like Pre-roll (continuous cache recording to never miss the action) and Time lapse to maximise your creativity.

Weight
Without batteries & media 620g / 21.9oz
With batteries & media 1064g / 37.5oz
Dimensions (W x H x D mm) 214 x 127 x 45mm, 8.4 x 5 x 1.8”
Construction High quality lightweight ABS Polycarbonate for durability & portability
Built-in armor protection
Power
Operating power 10 – 24W
Compatible batteries NP series and supporting accessories
Input voltage (battery) 6.2V to 16.8V
Battery time (based on 7.4V) -
5200mAh – up to 1.5hrs (monitor & record 4K)
7800mAh – up to 2.2hrs (monitor & record 4K)
DC In 1 x DC in (6.2 – 16.8V)
Continuous power
* Patent pending
Primary-secondary battery system Change batteries without losing power Loop batteries continuously
Touchscreen
Size 7.1”
Resolution 1920 x 1200
PPI Over 320
AtomHDR Yes
Bit depth 10-bit (8+2 FRC)
Brightness 1500nit (+/- 10%)
Aspect ratio 16:9 native
Color Gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube le format)
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional Atomos Spyder
Video input/loop out
HDMI 1 x HDMI (1.4b)
SDI -
Signal Uncompressed true 10-bit or 8-bit 422 (playback le dependent)
Video output (play out)
HDMI 1 x HDMI (1.4b)
SDI -
Signal Uncompressed true 10-bit or 8-bit 422 (playback le dependent)
Supported loop out formats
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120*, 2160p 24/25/30
SDI to SDI -
Supported loop out formats
HDMI to SDI -
SDI to HDMI -
Supported formats (Record & Playback)
4K 2160p 24/25/30
HD – high frame rate** 1080p120*, 1080p60/50
HD** 1080i60, 1080i50, 1080p30, 1080p25, 1080p24, 1080pSF24, 1080pSF25, 1080pSF30, 720p60, 720p50
4K UHD downscale for HD monitoring Yes – loop-out & playback
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Realtime hardware encoding
4K – DCI RAW 4096×2160 to
Supported cameras;
Sony FS700, FS7
Canon C300MKII, C500
2160p 24/25/30
4K-UHD 3840×2160 8/10-bit 4:2:2 to Apple ProRes
HQ, 422, LT
DNxHR
HQX, HQ, SQ, LB
1920×1080 8/10-bit 4:2:2 to Apple ProRes
HQ, 422, LT
DNxHD
220x, 220, 145, 36
Onboard processing
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)
Audio in/out (48kHz PCM audio)
HDMI 2 or 8ch 24-bit, camera dependent
SDI -
Audio Line in / Mic in / Headphone out 2ch 48kHz 24-bit
Remote start/stop
HDMI Auto HDMI Trigger
Supported Protocols – Canon, Sony, Atomos Open Standard
SDI -
Other LANC control – Slave
Playback
Playlist Yes
Genlock / LTC -
Playback
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes
Meta data tagging Yes (10 tags available)
Supported media
(Approved List Only)
4K / HD (50/60/120p*)
SSD 2.5”, HDD (7,200 up to 1080p60)HD
SSD 2.5”, HDD (5,400 up to 1080p30)
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support FCPX XML native, FCP7 supported with conversion (Adobe compatible)
Optional extras Atomos HDMI cable, Spyder calibration

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